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In 1907,
the house in which John Keats died was finally
bought outright for the Keats-Shelley Memorial
Association. This is the story of how that
came about.
In 1903 the rooms in
which Keats and Severn
had lived were occupied
by a pair of American
women, both writers,
Mrs James Walcott Haslehurst
and her mother who spent
much time permitting
the curious to see where
Keats had spent his
last days. The house
was in a dreadful condition
and the women wanted
to buy it so that it
could be preserved as
a shrine but did not
have enough money. In
February 1903, Robert
Underwood Johnson, an
American poet, walked
down the Spanish Steps
to look at the house
in which Keats had died,
noticed its bedraggled
appearance, entered
and made enquiries.
He called together a
dozen of the American
literati resident in
Rome, one prominent
Englishman, and their
spouses. The Englishman,
Rennell Rodd, who later
saved the graves in
the cemetery in Testaccio,
was a poet as well as
a brilliant diplomat.
He took the Chair of
the meeting. The Americans
present were Robert
Underwood Johnson and
his wife, Norman Hapgood,
Agnes Repplier, James
Herbert Morse and his
wife, Martha Gilbert
Dickinson, and H. Nelson
Gay. Johnson proposed
that committees in the
United States, England
and Italy should raise
money for the project.
Rennell Rodd led the
drive in the United
Kingdom, Johnson in
the United States and
Nelson Gay in Italy.
They worked hard, with
support from President
Roosevelt and King Edward
VII, and after three
years their efforts
were rewarded.
An option to buy the
house was acquired and
taken up on the 30th
of December 1906 by
a cash payment of $14,000
and a mortgage of $8,000.
The formal dedication
by the King of Italy,
Vittorio Emanuele III,
took place on 3 April
1909 was attended by
descendants of the poets;
Lloyd Griscom, the American
Ambassador; Sir Rennell
Rodd and Rudyard Kipling
for the United Kingdom;
Adolpho de Bosis, a
young Italian Shellyan,
and Nelson Gay.
It now contains one of the finest libraries
of Romantic literature in the world as well
as a unique collection of manuscripts, paintings
and memorabilia. In addition to being a
Museum and Library the House plays an important
part in the cultural life of Rome organising
lectures, poetry recitals and gala events.
Among those who later
occupied rooms in the
House was the Swedish
writer and doctor Axel
Munthe who lived here
at the end of the nineteenth
century. An edition
of his famous work The
Story of San Michele
together with a note
on his life and friendship
with the great italian actress Eleonora
Duse are part of the museum collection.
The house in war-time
In December 1941, on the breakdown
of relations between Germany and its allies
and America, the Keats House entered its
"underground period", assuming
an anonymous obscurity even in its outward
appearance. The external plaques were removed
and the House became another anonymous feature
of the architecture of the scalinata.
Though the
celebrated library of
10,000 volumes remained
in place, two small
boxes were sent to the
Abbey of Montecassino
on December 14 1942.
Their contents included
the famous last drawing
of Keats by Severn,
two first editions of
Keats - Endymion and
Lamia, Keats's own drawing
of the Sosibios Vase,
locks of Keats's and
Shelley's hair, and
letters of Shelley,
Byron, Leigh Hunt, Trelawny,
Mary Shelley and the
Brownings. The boxes
were sealed but were
left unlabelled and
it was this omission
which ultimately saved
them from German inspection.
Following the
allied landings and
Anglo-American advance
Cassino became the centre
of the German defence.
On October 14 1943 evacuation
of the Abbey was ordered
and a few days later
the Goering division
removed the archives.
The archivist, with
great courage, moved
the treasures of the
Keats-Shelley House
to his own cell and
crated them with his
own possessions. On
October 30th the archivist's
belongings travelled
by lorry for Rome and
one month later the
Curator of the House
collected the boxes
and returned them to
their home in Piazza
di Spagna.
Following the arrival of the Allies
in Rome in June 1944, the House was at once
reopened and the boxes of manuscripts unsealed
in the presence of the British and American
Ambassadors. The House was crowded with
soldiers who came to reflect and to recover
themselves. The father of one of these soldiers
wrote later that his son had found there
serenity and strength amid a sorrow like
that of Ruth:
"when sick for home
She stood in tears amid the alien corn"
"Ode to a Nightingale" John Keats
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Robert Underwood Johnson

The Salone
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